A monochromatic approach, where you use mats of the same colour, can very subtly influence perception.Black-and-white images can look stunning with a narrow black internal mat with a wide white outer mat.This “high-contrast” approach helps add volume. For the inner mat, choose a shade that matches the primary colour of the painting. Use a neutral colour for the outer mat.But when you use a double mat, the rules change. Using multiple mats-what’s called double or triple matting-can add additional depth and focus to an image. This same technique can be applied in cases where two pictures of different sizes are shown together: If the inner edges of both mats are made slightly narrower, the two pictures will look more balanced.įramed with ImageFramer Layer mats for extra impact too wide or too long) or if the focal point is very close to the lower edge of the image, the mat can be adjusted to compensate. For example, if a picture is a non-standard size (i.e. It can also be helpful to tweak the width of your mat when your image needs some extra help. “Once mouldings widened to 3″, 4″ or more, mats had to proportionately grow just to maintain a balanced presence, to establish a better relationship between frame, mat and inner artwork,” explained professional framer Chris A. With large paintings in sizeable frames, you can use mat width to maintain balance. For example, using a mat that’s wider than the standard can give small pictures a greater sense of significance and drama. It’s worth testing different looks with a picture frame simulator. You can offset this by making the bottom edge slightly wider than the others. Pro tip: Matted images often create the illusion that the bottom edge is thinner than the rest when it’s actually the same width. When it comes to digital art, size is relative-after all, what are a few pixels here or there? So the size can be as much about the impression you want to make as the actual dimensions of the artwork.Īs a rule of thumb, professional framers typically recommend a mat width that’s twice the size of the frame you use. The size of the focal point within the image.Selecting mat width depends primarily on two things: If you make it too wide or too thin, the whole thing could look off balance. The width of the mat might be one of the most important and difficult considerations for something that can seem like such a small detail. Neutral is also typically the best bet for a single mat.įramed with ImageFramer Mat Width: Important but tricky Neutral colours, such as shades of white or black, are also a safe choice: They subtly sit in the background so the picture can dominate the space around it.A lighter mat will help open an image and make it appear larger.A darker mat will restrain a picture, creating a kind of tunnel effect that directs the gaze inward. Here’s the effect this will typically have: You can adjust the hue-make it darker (“shade”) or lighten it (“tint”). Your mat doesn’t need to be identical to the colours used in the image, however. If you use a mat that matches the primary colour, the eye won’t know where to look! In general, choose a mat based on the secondary or tertiary colours-this will help the eye stay focused on the the image itself. Pro tip: Can’t figure out which colours make the cut? Look at the image through squinted eyes: This makes it harder to see texture and subtle details, so the main colours will stand out better. The primary colour will be the most commonly used figuring out the secondary and tertiary colours doesn’t have to be scientific, just look for two other colours that stand out. Before you start choosing mat colours, study the image and identify the three dominant hues. The colour of the mat you choose can dramatically change how a picture is perceived. To make your favourite digital art stand out, there are several things to pay attention to: Colour, width, layers-and, of course, the frame itself. A mat can transform an otherwise ordinary piece of artwork, enhancing or even radically changing the impression it makes.
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